While looking for more layout inspiration, I found a couple spreads from Alexey Brodovitch, my designer, himself. I love his use of balance and white space. He also arranges photographs in ways that draw your eyes around the page. I think he was really innovative for his time but his spreads are still stylish and modern today, and he is a real inspiration to me.
Wednesday, April 30, 2014
Tuesday, April 29, 2014
Monday, April 28, 2014
Thursday, April 17, 2014
Tuesday, April 15, 2014
Friday, April 11, 2014
Book: Alexey Brodovitch
The more I research Alexey Brodovitch, the more of his work I admire. I've attached images of his work for Harper's Bazaar and independent pages that I find truly inspiring.
Thursday, April 10, 2014
The Book as Design: Alexey Brodovitch
Elegant,
innovative and striking: Alexey Brodovitch’s work as the art director of Harper’s Bazaar helped create modern
design aesthetic and revolutionized photography in magazines.
Brodovitch,
native to Russia, was a graphic designer, photographer and professor. Born in
1898, the young Brodovitch had a daring youth during the first World War
and following Russian Revolution. He ran
away several times to fight in the war and was subsequently found by his
well-off parents and returned home to finish his education with private tutors.
Exiled and separated during the Bolshevik Revolution, the Brodovitch family
eventually reunited and moved to France.
A
poor immigrant working at his first job, Alexey Brodovitch painted houses and
ballet backdrops while his new wife, Nina, worked as a seamstress to make ends
meet in Paris. Brodovitch designed and sold his plans for china, jewelry and
textiles on the side. He worked part-time for magazines, creating the layouts
for art and design journals like Cahiers
D’art and Arts et Métiers Graphiques. Brodovitch gained public recognition with his first prize award for
poster design for Le Bal Banal in 1924. Picasso took second place.
With
recognition and awards, Brodovitch's career gained momentum. He designed
full-time for a department store catalogue and freelanced in his own studio, L’Atelier A.B. He was influenced by the
Bauhaus and Surrealist styles in Paris. He was invited to teach at the Pennsylvania
Museum School of Industrial Art and in 1930 moved to the United States to teach
in the Advertising Design Department. He trained students, many of whom rose to
fame, in the modern European style and challenged the traditional American
style of advertising. He instilled in his students the desire to create
something striking and new, “He taught me to be intolerant of mediocrity. He
taught me to worship the unknown,” said Art Kane, a successful fashion and
music photographer.
In 1934, the Editor in Chief of Harper’s Bazaar spotted Brodovitch’s
work and offered him a job within the night. As art director of Harper’s Bazaar, Brodovitch became
legendary. He revolutionized magazine design, from layout to photography.
Famous for his elegant aesthetic and “astonish me” catchphrase, Brodovitch
created a style that was sophisticated, modern and excitingly new. He balanced
pages with chic white space and used bold swaths of color. His work changed how
magazines utilized photography; he used spreads with off-centered photographs,
blurred images and cinematic effects. Often he shaded the model’s face or cut
out personal features so women reading could insert themselves into the
photographs. This photography helped create storylines and a new reality for
readers.
Brodovitch demanded originality from
his students, his employees, and himself. His work for Harper’s Bazaar lives on through his influence in photography and
modern, elegant, and clean layout aesthetic.
Thursday, April 3, 2014
Vessel: Final
I would fix certain parts of the vessel, but I am happy with finishing it because I have never done anything like this before. I plan on staining it darker so I haven't sealed it yet. Sanding turned out to be a big help in finishing the look. I wanted it to be simple and elegant, and I think I have created something close to that. I will definitely look upon it with pride when I pass by it.
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