Renaissance artists invented illusion through
two-dimensional painting.
Bruneleschi
demonstrated perspective, the vanishing point. About objects appearing smaller further
in the differ. Giotto created depth, and was very close to to it but didn’t
have the vanishing points. Mosacho” first used Bruneslschis The Trinity in 1427
was the first known painting to demonstrate true linear perspective.
Artists
then explored linear perspective, in paintings and sculpture, even wood veneer.
Uccello would work through the night, “Oh what a delightful thing perspective
is”.
Albrecht Durer, known for engravings and woodcuts, wanted to bring Italian perspective theories to Northern Europe. Multiple vanishing point perspective. Made in depth studies of perspective and proportion of the humans figure.
DaVinci
was also an influence in his time, reexamining every aspect of his world. Had a
fascination with sight, light and shadow.
Artists
used theories of light and shading in their paintings, creating hyperrealism. Atmospheric
perspective was also utilized.
Earheart
Shern, used anamorphic art for political satire. They were also used to hide
things in portraits.
They
used different points of view, to emphasize drama and create emotional ties,
pushing viewers closer into scenes. During the High Renaissance Michelangelo
and Raphael used these techniques in the Vatican.
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